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Stupidest Idea EVER

CNN has launched its Second Life Bureau, according to the Hollywood Reporter:

In the week of Nov. 5, the news giant is set to open a news-gathering outpost in Second Life. And unlike news service Reuters, which embedded a real reporter in the online virtual world last year, CNN will rely on Second Life "residents" to do all the legwork.

In the space, the network will create a variation of its i-Reports, the real-world vehicle through which average citizens contribute eyewitness reports. CNN will equip Second Life denizens with kits enabling them to transmit copy and photos. Visitors to Second Life will be able to get the latest news via kiosks scattered throughout the virtual community.

And the network will act as a sort of journalism school, offering guidance to avatar citizen journalists via weekly "news meetings" directed by CNN.com staffers. And top CNN personalities including Larry King will conduct virtual training sessions for budding cyberjournalists.

So the three people on Second Life who are NOT engaged in online porn can submit daily reports to CNN on how their avatars change outfits?
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Fractious Doings at Audiobook Conference

The Bookseller sponsors an annual seminar called Audio Revolution, and this year's was lively to say the least. The Book Standard reports that Robert Lands, an intellectual property lawyer, suggested that audiobook contracts be separately negotiated - as opposed to audio rights being thrown in with everything else in a book contract:

"Audiobooks in a way have far more in common with films than books in that there are actors, producers and a performance. There are a whole bundle of rights involved here that books just don't have."

At which point forty editors keeled over and had to be revived with liberal application of gin and tonics. Fortunately, literary agent Simon Trewin was there to save the day:

Trewin apologized for his fellow agents, calling some of them "Luddites." He added: "The book industry is very insular and cliquey, and often we like to deal with people we know. [Audiobooks] people are coming in from outside with new ideas, and we are not sure how to react."

Indeed.
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Wertz leaving ABE

COO of AbeBooks Boris Wertz will be leaving to start his own venture capital firm, report both Publishers Weekly and Shelf Awareness. His COO responsibilities will be distributed among three Abers - Laura-Lea Berna, Shaun Jamieson, and Thomas Nicol.
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Microsoft Wins

Microsoft is the winning suitor (Yahoo and Google being the other contenders) in the wooing of - for $240 million, MS gets a whole 1.6% stake in the company.

1.6%??????

Reports the Times:

As part of the deal, Microsoft will sell the banner ads appearing on Facebook outside of the United States, splitting the revenue with it. Last year, Microsoft struck a deal with Facebook to run banner ads on the site in the United States through 2011.

The astronomical valuation for Facebook is evidence that Microsoft executives believed they could not afford to lose out on the deal. Google appears to be building a dominant position in the race to serve advertisements online. Fearing it might lose control over the next generation of computer users, Microsoft has been trying to match and in some cases block Google’s plans, even if that effort is costly.

“We are now stepping outside what is typically a business decision,” said Rob Enderle, the founder of the strategy concern Enderle Group. “This was almost personal. I wouldn’t want to be the executive that’s on the losing side at either firm.”

....

The Microsoft investment throws the value of the holdings of Facebook investors into the stratosphere. Mark Zuckerberg, the 23-year-old Facebook founder who dropped out of Harvard to build the company, owns a 20 percent share which is now valued at $3 billion. Accel Partners, the venture capital firm that invested $12.7 million in May 2005 and owns 11 percent of Facebook, now holds stock worth $1.65 billion.

Ye gods. Staggering. Just staggering.

 

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Subway readers

As I was headed to a meeting this morning on the 4 train, I looked around the subway car and did a quick count.

40 riders
15 reading something (on paper - a book, a newspaper, a document)

That's 37.5% of the car, reading.

You extrapolate that to all the subway ridership - 120,000,000 riders a month - and that gives you 4.5 million instances of reading throughout New York City at any given moment. Just on the subway.
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Link roundup

Some interesting stories on digital publishing:


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Creating viable digital products

My rant of yesterday was definitely inspired by some specific circumstances. But when I hopped on the treadmill last night (and while some of us get our ideas in the shower, I get mine on the treadmill), I found myself dwelling on a really key issue:

Talking to your market.

You've got ebooks, downloadable audiobooks, online supplements to books (coursepaks, workbooks), video accompaniments (interviews, demonstrations), animated accompaniments...all this STUFF that either is the book or is derived from the book. The book has ARMS - it has appendages.

Is that what the market wants?

Is anyone talking to the market?

Do people really WANT widgets? (Do you see a widget on this blog? That's right - and unless I'm truly turned on by a title and need to acquire all of its appendages, you never will, either.)

Is anyone talking to the people who are going to use this stuff? Of those who are developing digital products in the book world, is anyone using it themselves? What are we learning from talking to the folks who will eventually consume what we're creating?

I had an interesting exchange with my daughter yesterday. She's 14. When she's not reading, she's on her computer. When she's not on her computer, she's reading. She reads for pleasure and for school. So I figured she was a good kid to ask:

"In your readings for school, would you like it if you could load up all your textbooks on a laptop and read them that way?"

Naturally, as a Brooklyn kid, she immediately responded, "Mom, the laptop would get STOLEN." I wish I could imitate the accompanying eye-rolling. As I say, she's 14.

Then I said, "What about reading for pleasure? What if you had a gizmo you could actually curl up in bed with? Maybe even read in the dark?"

And she said something that really surprised me. "Actual books are better. You can curl up with them and feel them and save them. If My Sister's Keeper was an ebook, would i be able to get it autographed and watch as the cover fades off because i've read it so many times? No, i wouldnt."

For her, books are an emotional experience. They are, as Seth Godin puts it, a souvenir of an experience. She marks her journey through life with books - the physical objects. They go everywhere she does, even into bed (along with 10,000 other things: dirty laundry, tubes of lip gloss, the wrappers from smuggled candy, and a decrepit old Elmo doll she's had since she was born).

I was surprised at that. Surprised at how such a digital kid (and try to pry her away from her iPod, my God) is so attached to physical books. But when I look around at my house, which is just wall after wall of books, I realize I shouldn't be so surprised. I'm very digitally-oriented too, and I have more book-souvenirs than a sane person should. A classic example of the thousands on my shelf: My Psychopathology textbook from college - which is hopelessly outdated, but which I cling to because (a) it was the most expensive textbook I ever bought (at $36) and (b) it reminds me of my senior year of college, which was magical. God knows I haven't cracked the spine of the damn thing since the 1980s. But after endless stoop sales and book donations over the last 20 years...it remains on my shelf.

People are complicated. This market is complicated. People's relationships to books are complicated - as are their relationships to technology. This is not an easy course we're charting. We're dealing with things like...feelings.

Maybe I should crack open that Psych book after all. 

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Digital Publishing

It seems that editors are either being told or sensing that they have to “do something digital”. But they’re not sure what that means, even, or what they should be doing. So they go to the “digital group” and tell them, “We need a digital product.” And it’s supposed to do everything but wash your socks, you know? It’s an ebook, but it’s not really an ebook – it’s a course cartridge/coursepack, except it’s supposed to be compatible with all course management systems and not just Blackboard – it’s got to have video because the competition doesn’t have video yet, and money’s not a problem because it will raise the profile of the brand and ultimately sell more print books….
 

I cannot tell you how many things are wrong with that. (But I will try.)

First of all, the digital product is not arising out of any real consumer need. It’s arising because publishers are nervous that other publishers might be figuring out the whole “digital thing” and leaving them in the dust. It’s arising because the publisher is scared to stand still and let the customer tell the publisher what s/he needs. “Wait! Let me guess what you need! Here, you need an ebook that’s a coursepack that has video that you can download onto your iPod!”

Second, the goal is not to raise the profile of the brand and thus sell more print books. (Shocking, I know.) The goal is to develop and sell viable digital products. Which is very different from being in the print book publishing business.

For now you are in the print book publishing business and that is fine – you have to run this other business in parallel and have it ready to move to center stage when the market inevitably moves there. It will earn, it will pull its weight, we’re not talking about throwing money down a hole. It has to be profitable. But it’s apples and oranges to print publishing. Yes, we are talking about different ways of content distribution. But McLuhan is more apt now than ever – the medium in which you distribute that content can in many cases determine the content that gets distributed. If you’re going to distribute video, you’re in the broadcasting business. If you’re going to distribute text, you’re in the publishing business. If you’re going to build online learning centers, you’re in the website business. And each of these businesses has its own business model – and when you combine them, you breed new business models.

You also have to take a few risks. Developing features just to meet competition is not a good use of resources. And yes, you may lose market share to other publishers whose digital products have bells and whistles that you cannot possibly foresee or develop. But if your digital products are truly driven by the needs of the market – rather than being developed in anticipation of what you THINK those market needs might be – then your customers will come back to you with more loyalty than ever because you're really looking out for them, not just throwing features in their path like golden apples.

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One of the best decisions PW has made

...is to have David Rothman contribute a column on ebooks. The man knows his stuff and he's a joy to read. In this week's post, he talks about Holtzbrinck (Macmillan?) internet marketer Jeff Gomez's book and blog, Print is Dead.
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Less Mooring

I've been, for the last 3 weeks now, consulting at McGraw-Hill Education, in their Digital Group. I love it - it's so nice to actually BE in the front lines of what I've been writing about for the last year. My gig goes till January, and essentially I'm managing a suite of world language textbook titles while the "real" product manager is out on maternity leave. It's a relief to find out that the advice I was giving hedge fund managers over the summer about the textbook market is actually spot-on. More than that, though, it's cool to be working in the trenches of a rapidly morphing industry.

Hence the sparsity of posts. Just sayin'.
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More Lessing

Normally we keep this blog to issues of technology in the book world, but today we are over the moon about Doris Lessing winning the Nobel Prize. After decades of defending why we love her work, it feels so great to be validated. Yes, she can be a bit heavyhanded at times, and yes, her Campos in Argos series was probably not the most successful sci-fi ever written...but she articulates truths like nobody else. Martha Quest, The Golden Notebook, The Fifth Child, and The Diaries of Jane Sommers (as well as the first volume of her autobiography) are...probably the strongest depictions of the internal lives of women we've ever read. And to say that these depictions - to say that the internal lives of women - merit a Nobel is just...well, it's about freakin' time.

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Widget Mania

According to PW, Hachette announced a partnership with LibreDigital at Frankfurt yesterday, wherein Libre will be supplying Hachette with the necessary technology to make widgets. Because everybody wants more widgets.

 

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Istanbul or Constantinople?

Holtzbrinck is now Macmillan USA. You know, neither the Ivy League nor the Seven Sisters change their names this frequently - the Big Seven publishing houses are confusing the hell out of everybody. Stop it.
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Borders Beta

Borders has launched its beta site with much of the same technology that B&N is using on its redesigned website. A "magic shelf" where certain titles are merchandised on the homepage, multimedia features with authors and artists, and a partnership with Gather.com, the social networking site, are all prominently featured. All in all, it's an easily-navigable site, with warm colors and welcoming features. Nice takeback from .
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Frankfurt Vibe

Folks, the pre-Frankfurt drumbeat is SOOO digital. Monsters and Critics has a big article on how the book industry is afraid of 0s and 1s. Probably the most fabulous paragraph:

Some European libraries have portrayed the bid to digitize 500 years of books and newspapers as an imperialist plot, because the big players such as Google are based in the United States.

Yes! It IS an imperialist plot! (Gawd, wouldn't that be more intriguing than what it actually is, which is a FREAKIN' MESS.)

But the best news is at the bottom of the article:

The New York Times has reported that Amazon is to launch in October an e-book reader brand-named the Kindle and priced above 400 dollars. The most likely venue: the Frankfurt Book Fair.

I keep forgetting about that October launch. 

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Print vs audio books

So I downloaded Stephen Colbert's book - I haven't started listening to it yet. But I saw the review in the Times and was glad I'd chosen to listen rather than read.

Meanwhile, over at the Huffington Post, Michael Giltz uses the Colbert/Audible thing as a jumping-off point to talk about One More Thing That's Wrong With Publishing:

One of the suits says the audio book is so creative and different that, "I would think that you would buy the book and the audio because they are really different." In other words, he expects fans of Colbert to buy the hardcover book for $27, then buy the audio book for about $16 and while you're at it, when a downloadable version becomes available for your Sony Reader or computer or Blackberry, maybe you'd be willing to pay another $25 or so for that version. He's not alone. Even when the audio book isn't somewhat different from the hardcover, they expect fans of a book to buy it twice.

Imagine if the music industry demanded you buy one copy of your album for playing on your home stereo, another for your car, another for your iPod and so on. You wouldn't do it, would you? But the book industry - which publishes more than 100,000 titles a year - thinks it's perfectly reasonable to expect you to do it for books. 

I don't think anyone expects that readers are generally going to pursue both the audio and the print book, AND the ebook - people consume their media in different ways. But later Giltz goes on to talk about bundling products - buy the hardcover and get the audio or the ebook for free - which makes eminent sense. Seth Godin was talking about that at last year's Google Unbound conference. I think that's only a matter of time. Publishers are very leery about cannibalizing book sales via other media. But they are coming around, gradually.

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Rothman on OLPC

David Rothman reviews the One Laptop Per Child demo that David Pogue gave in the Times last Thursday. I'd been meaning to link to this post and real life has intervened, but suffice it to say, Rothman raises some great points:

Perhaps MacArthur or another foundation needs to use grants as carrots to get Western publishers to experiment with the now-$178 laptop, ideally with the .epub standard. I want all kinds of business models to thrive, and for local books, too, not just imported titles, to be available. The OLPC project could encourage the creation and survival of small e-publishers in the developing world—enlarging the market for indigenous books, not just imports alone. Oh, and now about e-newspapers there, too?

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Woo-hoo!!!

PW reports that according to a Frankfurt Book Fair survey, digitization (NOT DIGITALIZATION, jeez, people) is the biggest challenge facing publishing right now:

More than half of the 1,324 respondents called digitalization [sic] the biggest challenge facing the industry, while competition from other media was picked as the major threat to the health of book publishing. The three other major industry threats were overpublishing, piracy and illiteracy.

Following the issues represented by digitalization [sic], the survey found the other major industry challenges to be increased globalization, more user-generated content and the battle over territorial rights.

 

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"I Am America" coming out on Audible

Audible's releasing Stephen Colbert's "I Am America (and you can too)" today, a few days before the physical book's October 9th pub date. It's only available in an abridged version, but that version is 3.5 hours long, and is making its way into my iTunes at this very moment. Yet another example of how publishers are using technology to do interesting things with their book marketing.
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One Laptop Per Child

David Pogue reviews the OLPC machine in the Times, and it really is amazing. I had been hearing about this laptop for a long time, but I had no idea that they'd managed to make it essentially waterproof and dirt-proof (they really were thinking about kids). The networking capabilities (if there's no wi-fi, you can nevertheless connect to other OLPC's) and programming capacities are awesome. It really is a learning machine.

He notes that it's available in the US for a 1-month window (November) for $200/apiece. The catch - you have to buy two, and the other one gets donated to a kid in Africa or Asia. It's not really meant for business/gaming use - but as I was watching Pogue's video review, I was thinking about my own 9-year-old and how she might really get involved in creating new programs and connecting in new ways to her friends. It'll be interesting to see, 20 years from now, how underdeveloped nations will have changed as a result of these machines.

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What is a book, anyway?

Did you know this? I didn't know this. In order to qualify for an ISBN (and therefore be considered a "book"), your product has to have 48 pages or more.

I wonder, with the advent of ebooks and the shortening of the attention span, if this will hold true over time. 

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POD Price Comparison

If you're looking to self-publish, Writer's Weekly now has a handy-dandy guide to POD publishers. Purely on the basis of price, they recommend Booklocker.com as the best deal - AuthorHouse falls at the bottom of the list.
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Link Digest

  • A dialogue on digital publishing and libraries, including reps from Microsoft, Google, and UCal.
  • iPods don't work for blind people because you have to navigate them to find what you need to listen to. Fred's Head Companion details improvements and accessories to the iPod, so the unsighted can listen to audiobooks with ease.
  • Marc Kramer, a business writer for The Street, lists four ways you can get your book published.
  • Researchers at Carnegie Mellon are using CATCHPAS (those bits of nonsense text you type when you validate that you're not a bot, on Craigslist and Blogger) to digitize books.
  • Silicon Alley Insider offers perspective on why ebooks continue to fail. It may have something to do with prices.
  • MyiLibrary continues to collect publishers like Grandma collects Hummel figurines.
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Romance Huge in Ebooks

Steve Potash, CEO of Overdrive, noted in the 9/8 issue of The Big Picture (login required, but it's free) that romance ebooks are hugely popular in the library market - something I never would have foreseen - and Harlequin seems to be stepping up to address that, as reported by Library Journal:

The publisher announced this week that it is making its complete frontlist available electronically...The electronic releases will cost less than their print counterparts and will be available in Adobe, MobiPocket, Microsoft Reader, Sony, and Palm formats.

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News Flash: Publishers Cautious About Digitization

Earthtimes.org posts a summary about publishers' tentative approach to mass digitization, listing the various digitization services (Amazon, Google, Microsoft) and publishers' reactions to each of their programs. It's actually a pretty clear delineation of publisher response, although it's framed in a way that suggests publishers are being dragged kicking and screaming into the world of ebooks:

Fearing that it will lose out financially, much of the book industry is resisting internet pioneers' vision of putting the world's entire store of published information online. Some European libraries have portrayed the bid to digitize 500 years of books and newspapers as an imperialist plot, because the big players such as Google are based in the United States.

Despite the histrionics, there's some good info here.

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New Sony Reader Review

Wired reviews the new Sony PR-505 positively this morning:

 The new model will also work as a USB mass storage device (read: big thumb drive) and, at last, work natively with PDF, plain text and RTF files, which means you're not limited to Sony's CONNECT store for DRM crippled content.

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"Real" Book Critics vs. Bloggers vs. B&N Reviewers vs. Oh, Hell, Who Can Keep Track Anymore?

GalleyCat posts an interesting take on the new B&N.com's review section square in the middle of the new homepage - taking issue with National Book Critics Circle president John Freeman:

[I]n the summer of 2006, Freeman used the Critical Mass blog, which the NBCC has steadily maintained with near-legalistic precision does not reflect the ex officio positions of the various Circle officials who post to it regularly, to argue that bloggers who affiliate themselves with bookstores can't be trusted to review books honestly, a notion to which I roundly objected at the time. When asked by email Monday afternoon whether his new job generating content infused with links to B&N's online store could be reconciled with that earlier position, Freeman maintained that what he was doing was entirely different from the practices he had attacked....

All I'm saying is that it's long past the time for "real" book reviewers to concede not only that they're not the only experts in the field, but that their opinions are no more or less intrinsically valid than those of people who haven't convinced various corporate institutions to cut them a check for expressing themselves.

 

 

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Why I Love Writing Contests, in 100 words or less

The writing contest, a staple of the mid-20th century, are experiencing a resurgence in popularity - largely because there are so many interesting ways to use Web 2.0 technology to harness user-generated content.

On the heels of its romance-writing competition, Gather.com is partnering with CourtTV and Borders for a crime-writing competition, reports the Book Standard. In addition to taking advantage of Gather's intensely loyal participants, the contest implements some interesting interactivity with CourtTV via interviews and web postings. Says Gather.com CEO Tom Gerace:

"The Gather.com, Borders and Court TV alliance is a powerful mix of media that delivers a multi-faceted platform to identify, vet and elevate aspiring mystery writers."

The heavy-hitter judges are Sandra Brown, David Baldacci, and Harlan Coban. The contest is a way of driving interest in CourtTV's new series "Murder By the Book". Presumably not about the victims of being thwacked over the head by a Riverside Shakespeare (though God knows some of us have attempted this route when all else has failed us).

, Penguin and HP are also sponsoring a writing contest for first novels, in which the winner gets a non-negotiable $25,000 contract with Penguin. In this case, the novel is submitted using CreateSpace, a POD publisher owned by Amazon. According to the Book Standard:

"The Amazon Breakthrough Novel Award reflects the Print 2.0 momentum seen in the book world, where production platforms like the HP Indigo press help creative people say what they have to say through on-demand publishing," said Rich Raimondi, vice president and general manager of U.S. Graphic Arts Organization at Hewlett-Packard. "We are pleased to be working with Amazon.com and Penguin Group to provide an opportunity to a deserving author who otherwise might not have access to the broader publishing community."

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B&N.com makeover

Barnes & Noble has revamped its website, taking advantage of a lot of new design technology. Included is a scrolling banner of hot titles (if you mouse over one of them, a pop-up appears with pricing and other details), a media window (videos of authors and artists), and a large pane in the center that rotates among book, music and DVD products, highlighting B&N reviews. At the bottom reside the requisite Web 2.0 tags (a la Technorati). That portion of the homepage is a little clunky but the rest is actually quite lovely - and I'm never a fan of redesign. Gives me vertigo.

Featured in this morning's video is Peter Yarrow, talking about Puff the Magic Dragon. Altogether, the video portion of the site looks pretty slick - I'll find out who's providing the vids and post. 

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